Making his cinematic debut, Tom Taylor acquits himself well as the troubled real-world teen who enters a portal into the same post-apocalyptic land he’s had disturbing visions of. Yes, as if eradicating key characters (Susannah and Eddie are notably absent) and skimming through eight novels and a short story wasn’t enough, The Dark Tower also turns its sprawling source material into a generic five-years-too-late YA movie. Matthew McConaughey in lounge lizard mode. However, the Luther star still displays stoicism, magnetism, and strong comic timing - see the real-world hospital scene where Roland has to keep his identity under wraps - which leaves you wishing the umpteenth script rewrite had, like the book, told the story from his perspective. Despite having to avenge the murder of his father, take a young psychic under his wing, and essentially stop the portal to Hell from opening up, Elba’s gunslinger isn’t actually given that much to do. The latter’s performance is actually one of the film’s few saving graces. And there was a questionable uproar from certain fans over the news Roland wasn’t going to be played by a young Clint Eastwood lookalike but Black British actor Idris Elba. Nikolaj Arcel, a slightly leftfield choice for director considering his last effort was Oscar-nominated Danish historical drama A Royal Affair, was nearly given his marching orders following disastrous test screenings. Things didn’t run much smoother even when Sony Pictures Entertainment finally managed to get The Dark Tower into production. On this occasion, it was financial constraints that turned out to be the stumbling block, with Universal, Warner Bros., and HBO all getting cold feet about committing to such a wildly ambitious projects.
#Best movies 2017 released tv
He also took it much further, casting Javier Bardem as brooding hero Roland for what was planned as an action-oriented film trilogy and two more character-driven TV series. Ron Howard was the unlikely next name to pick up the mantle in 2010. Idris Elba actually gets to do something. Abrams, their commitments to Lost - another quasi-philosophical saga that struggled to untie all its knots - and unhelpful reverence to the source material put pay to any ambitions of even one adaptation, let alone a proposed seven.
#Best movies 2017 released series
King’s sprawling sci-fi fantasy-Western series had been first optioned for the screen in 2007 by longtime admirers Damon Lindelof and Carlton Cuse: Showing their fanboy credentials, they paid just $19 in honor of the number that repeatedly crops up in the novels as a motif. Considering its years stuck in development hell, the fact it even made it into cinemas at all was something of an achievement.
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“A limp, barely coherent shell of a movie,” was one of the kinder reviews that greeted the 2017 release, which, despite dislodging Dunkirk from the top of the box office chart, failed to recoup its $66 million budget domestically. Unfortunately, by condensing 4,250 pages of dense Stephen King mythology into just 95 muddled minutes, The Dark Tower’s team went a little too scissor-happy. In an age when every blockbuster comes with a bum-numbing runtime and a show about the making of The Godfather runs three times longer than the film itself, it’s rare to watch something which proves the concept of the editing suite hasn’t become entirely obsolete.